Happy Release Day 11/08/11

Not so very long ago, Eragon—Shadeslayer, Dragon Rider—was nothing more than a poor farm boy, and his dragon, Saphira, only a blue stone in the forest. Now the fate of an entire civilization rests on their shoulders.

Long months of training and battle have brought victories and hope, but they have also brought heartbreaking loss. And still, the real battle lies ahead: they must confront Galbatorix. When they do, they will have to be strong enough to defeat him. And if they cannot, no one can. There will be no second chances.

The Rider and his dragon have come further than anyone dared to hope. But can they topple the evil king and restore justice to Alagaësia? And if so, at what cost?

This is the much-anticipated, astonishing conclusion to the worldwide bestselling Inheritance cycle.

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Haunted by the past . . .

The year is 1888, and the scent of blood lingers heavy in the London air. Stefan Salvatore thought he could escape his violent origins by settling in the peaceful countryside of England, but when a heinous murderer named Jack the Ripper surfaces, Stefan fears darkness will always follow him. Drawn into the investigation, Stefan assumes the worst: This is the work of a vampire. And the more he learns, the more he becomes convinced that the killer is someone close to him—and that he can never outrun his past.

Based on the popular CW TV show inspired by the bestselling novels, Stefan’s Diaries reveals the truth about what really happened between Stefan, Damon, and Katherine—and how the Vampire Diaries love triangle began.

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Hundreds of years before the time of Imager, the continent of Lydar is fragmented. Years of war have consolidated five nations into three—Bovaria, Telaryn, and Antiago. Quaeryt is a scholar and a friend of Bhayar, the young ruler of Telaryn. Worried about his future and the escalating intrigues in Solis, the capital city, Quaeryt persuades Bhayar to send him to Tilbor, conquered ten years earlier by Bhayar’s father, in order to see if the number and extent of occupying troops can be reduced so that they can be re-deployed to the border with warlike Bovaria.

Quaeryt has managed to conceal the fact that he is an imager, since the life expectancies of imagers in Lydar is short. Just before Quaeryt departs, Bhayar’s youngest sister passes a letter to the scholar-imager, a letter that could well embroil Quaeryt in the welter of court politics he had hoped to leave behind. On top of that, on his voyage and journey to Tilbor he must face pirates, storms, poisonings, attempted murder, as well as discovering the fact that he is not quite who he thought he was. To make it all worse, the order of scholars to which he belongs is jeopardized in more ways than one.

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It haunts us; it stalks us; it shapes us. It creeps into our dreams and, if we allow it, can plague our ponderings of the future. The same ‘monsters’ that lived under our childhood beds can reappear, alive and toothsome, in our adult lives. And perhaps most frightening of all: without reason or apology, one person’s fancy is another person’s torment. Granta 117 takes a stab at understanding the phenomenon that is horror.

With award-winning writing, Granta has illuminated the most complex issues of modern life. In 117, Stephen King writes of a retired judge who pays repeated visits to a patch of sand capable of predicting human mortality. Don DeLilloclimbs into the head a moviegoer-turned-stalker. Joy Williams writes of a father with a grown son even stranger and less stable than he suspects. Rajesh Parameswaran presents us with a tiger who narrates its own escape from a zoo and its subsequent terrorizing of a neighborhood, while Daniel Alarcon explores the phenomenon of staged, high-camp blood baths. And Mark Doty ruminates on a close encounter between Walt Whitman and Bram Stoker. Also new work byPaul Auster, Will Self, and Julie Otsuka.

Come along. Hold tight. Get scared…

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For Nora Grey, romance was not part of the plan. She's never been particularly attracted to the boys at her school, no matter how much her best friend, Vee, pushes them at her. Not until Patch came along. With his easy smile and eyes that seem to see inside her, Nora is drawn to him against her better judgment. But after a series of terrifying encounters, Nora's not sure who to trust. Patch seems to be everywhere she is, and to know more about her than her closest friends. She can't decide whether she should fall into his arms or run and hide. And when she tries to seek some answers, she finds herself near a truth that is way more unsettling than anything Patch makes her feel. For Nora is right in the middle of an ancient battle between the immortal and those that have fallen - and, when it comes to choosing sides, the wrong choice will cost her life!
This title also contains an exclusive, original story written especially for this book by the author. This bonus story tells what happens to the characters between Book 1 and Book 2 of this series and will only be available in this book.

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Striking out into the wasteland with nothing but her baby sister, a handful of supplies, and a rumor to guide her, sixteen-year-old midwife Gaia Stone survives only to be captured by the people of Sylum, a dystopian society where women rule the men who drastically outnumber them, and a kiss is a crime. In order to see her sister again, Gaia must submit to their strict social code, but how can she deny her sense of justice, her curiosity, and everything in her heart that makes her whole?

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Delaney Collins doesn't believe in fairy tales. And why should she? Her mom is dead, her best friend is across the country, and she's stuck in California with "Dr. Hank," her famous life-coach father—a man she barely knows. Happily ever after? Yeah, right.
Then Dr. Hank tells her an outrageous secret: he's a fairy godmother—an f.g.—and he can prove it. And by the way? The f.g. gene is hereditary. Meaning there's a good chance that New Jersey tough girl Delaney is someone's fairy godmother.
But what happens when a fairy godmother needs a wish of her own?

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After a humiliating "sexting" incident involving a hot and popular senior, seventeen-year-old Dylan has become a social outcast—harassed, ignored, and estranged from her two best friends.

When Dylan discovers the blogs of homeschooled fundamentalist Christian girls, she's fascinated by their old-fashioned conversation themes, like practicing submission to one's future husband. Blogging as Faith, her devout alter ego, Dylan befriends Abigail, the group's queen bee. But growing closer to Abigail (and her intriguing older brother) forces Dylan to choose: keep living a lie or come clean and face the consequences.

"Josie Bloss writes about obsession—characters who are obsessed with band or music, obsessed with a boy, obsessed with someone else's life. They're themes to which all young adults—popular or not—can relate."
—INDIANAPOLIS STAR