Photo Content from Courtney Summers
Courtney Summers was born in Belleville, Ontario, Canada in 1986 and currently resides in a small town not far from there. At age 14, and with her parents' blessing, Courtney dropped out of high school to pursue her education independently. At age 18, she wrote her first novel and never looked back. Her first book, Cracked Up to Be, was published in 2008, when she was 22. To date, she has authored five novels and is best known for her unapologetic, difficult female protagonists. In 2016, Courtney was named one of Flare Magazine's 60 under 30.Publisher: Wednesday Books (September 4, 2018)
Language: English
ISBN-10: 1250105714
ISBN-13: 978-1250105714
"A riveting tour de force" ―Kirkus (Starred Review)
"Summers excels at slowly unspooling both Sadie’s and West’s investigations at a measured, tantalizing pace".―Booklist (Starred review)
"The fresh, nuanced, and fast-moving narrative will appeal to a range of YA and new adult readers, and serves as a larger examination on the way society interacts with true crime...It's impossible to not be drawn into this haunting thriller of a book. A heartrending must-have." ―School Library Journal (Starred Review)
"A taut, suspenseful book about abuse and power." ―Publisher's Weekly (Starred Review)
"Summers has pulled no punches when it comes to diving into the darker side of teen lives." —Bustle
"An electrifying thriller, taut as a bowstring. A coming-of-age tale, both gritty and sensitive. A poignant drama of love and loss. This -- all this -- is Sadie: a novel for readers of any age, and a character as indelible as a scar. Flat-out dazzling."―A.J. Finn, #1 New York Times bestselling author of The Woman in the Window
"Sadie is an electrifying, high-stakes road trip—a gripping thriller with a true—crime podcast edge. Clear your schedule. You're not going anywhere until you've reached the end." —Stephanie Perkins, New York Times bestselling author of There's Someone Inside Your House and Anna and the French Kiss
"A haunting, gut-wrenching, and relentlessly compelling read. Sadie grabs you and won't let you go until you've borne witness." —Veronica Roth, #1 New York Times bestselling author of Carve the Mark and The Divergent series
Did you experience more difficulty writing one or the other, or did you like writing in one form more? How much of the novel did you write in chronological order, and how much did you jump around?
I enjoyed both of them. Writing Sadie’s perspective was very familiar to me because all of my books feature an intensely close first person, female point-of-view. Writing West’s perspective, the podcast format, proved a little more challenging. Not so much because of the way it was written (scripts) but because each episode had to propel Sadie’s narrative forward and give us a different way of looking at the things she went through. So far, I’ve only ever been able to write in chronological order!
Was this how you always envisioned the book or did it change as you wrote it?
Regina Spektor said something really interesting about writing songs that I’ve always loved and related to as an author. She said, “[A]s soon as you try and take a song from your mind into piano and voice and into the real world, something gets lost and it’s like a moment where, in that moment you forget how it was and it’s this new way. And then when you make a record, even those ideas that you had, then those get all turned and changed. So in the end, I think, it just becomes its own thing and really I think a song could be recorded a million different ways and so what my records are, it just happened like that, but it’s not like, this is how I planned it from the very beginning because I have no idea, I can’t remember.”
I feel something similar when writing—the heart of my idea remains intact, but the way it takes its ultimate form is always a little different (or even a lot different) than I might have been expecting, which makes it difficult to recall the starting point. But that’s okay as long as the heart is still there and you’re satisfied with and believe in what you’ve created.
What was the most surprising thing you learned in creating your characters? Which of your characters do you most identify with, and why?
When I first started Sadie, I was extremely skeptical of West—he had to prove himself to readers over the course of his narrative and given the nature of his job, I was curious to see where writing him would take me. I really loved the way his arc unfolded. I wasn’t necessarily surprised by it, but more gratified by it than I realized I would be.
I identify with little pieces of all of my characters, but I like to keep those to myself because I don’t want risk readers thinking about me while they read. I like my role as an author to be invisible.
What gave you the idea for SADIE?
One of the things that inspired Sadie was the way we consume violence against women and girls as a form of entertainment. When we do that, we reduce its victims to objects, which suggests a level of disposability—that a girl’s pain is only valuable to us if we’re being entertained by it. But it’s not her responsibility to entertain us. What is our responsibility to us? I really wanted to explore that and the way we dismiss missing girls and what the cost of that ultimately is.
Do you have a favorite scene, quote, or moment from Sadie?
My favorite moment is a spoiler, but my favorite quote is this: “I wish this was a love story.”If you could tell your younger writing self-anything, what would it be?
I used to have an answer for this kind of question but the older I get, that’s changed. I wouldn’t tell her anything. Her experience as a writer unfolded the way it was supposed to and I like how it’s turning out.
In your new book; SADIE, can you tell my Book Nerd community a little about it
Sadie is about a girl named Sadie who goes missing on the hunt for her sister’s killer and the popular radio host, West McCray, who starts a podcast dedicated to finding out what happened to her.
Which incident in your life that totally changed the way you think today?
I’ve gone through some tough personal losses over the course of my life that have shown me I’m stronger than I give myself credit for. I try not to lose sight of that when I’m facing something unknown, scary or challenging.
But when Mattie is found dead, Sadie's entire world crumbles. After a somewhat botched police investigation, Sadie is determined to bring her sister's killer to justice and hits the road following a few meagre clues to find him.
When West McCray—a radio personality working on a segment about small, forgotten towns in America—overhears Sadie's story at a local gas station, he becomes obsessed with finding the missing girl. He starts his own podcast as he tracks Sadie's journey, trying to figure out what happened, hoping to find her before it's too late.
I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer by Michelle McNamara is true crime at its best and you can sleep easy knowing that he was just caught and is now in jail!
ReplyDeleteI would recommend Speak by Laurie Halse Anderson.
ReplyDeleteI loved The Language of Flowers by Vanessa Diffenbaugh, thank you.
ReplyDelete"What book would you recommend for others to read?" "Coinman" by Pawan Mishra.
ReplyDeleteHappily Murdered by Rasleen Syal
ReplyDeleteVanishing girls by Lauren Oliver, it has a similar topic with some great plot twists.
ReplyDeleteI just finished The Bridesmaid's Daughter by Nyna Giles and Eve Claxton. It's the story of Nyna's mother who was a bridesnaid for Princes Grace of Monaco. Both Nyna's and Carolyn(daughter) were models and as time went on, Nyna refused everybody's help ending up in a homeless shelter and her world narrowed.
ReplyDelete